Used eventide h910
To simulate the sound onstage that he gets on record, Scholz runs the guitar signal and the signal from the doubler in stereo, which duplicates, he says, "the old recording trick of using two rhythm guitars panned to the outside." The device, however, can be used in mono, and Tom describes that result as "sounding sort of flanged."Īside from the doubler, which Tom states is used judiciously throughout the album."Īside from the doubler, which Tom states is used judiciously throughout the album. "Anything more than that would get too messy," Tom explains. Then, create or choose a MIDI track to control the H910. On the H910 plug-in, click the button labeled 'KYBD' for the Pitch Control Select. Because the doubler gives Scholz such a rich, heavy sound, Tom is the only one of Boston's three guitarists to use the device onstage. Insert the H910 on the audio track or channel you would like to have the effect. The H910 was used on countless hit records over several decades, and is still highly sought-after. Among other things, it does pitch shifting, modulation, and delay, but that’s only scratching the surface.
#USED EVENTIDE H910 SOFTWARE#
Since we were broke at the time, and since the technology wasn't very complicated, we built our own. The Eventide H910 Harmonizer plug-in is the software cousin of the legendary hardware H910, the world’s first digital effects processor. You would need a regular delay unit, a harmonizer, and an oscillator-nothing very complicated. You can build the same type of unit with commercially available devices, but I think that unless you were filthy rich, it wouldn't justify the cost.
We designed it to approximate the same sound as when you dub over a guitar part twice: it adds a pitch change to the time delay. It does more than, say, an Echoplex or a tape delay that just gives you a repeat.
"That's what we call it," explains Tom, "though doubler is kind of a misnomer. "Probably the most obvious departure in the Boston sound from your run-of-the-mill heavy metal sludge is Scholz' thick, yet clear lead guitar lines, partially accomplished with the aid of a device called a doubler, designed by Scholz and a friend. Funny, how this old GP article echos my original